It may take an unusual muse to be deeply inspired by the body's insides. Artist Sara Nilsson possesses just such a muse–as well as the skill to create breathtakingly beautiful, anatomically accurate cross-sections of the human body with quilled paper.
In 2009, U.S. Secretary of the Department of Energy Steven Chu dismissed zero-emission hydrogen fuel cell vehicles as an impractical alternative to electric cars. Now an abundant supply of natural gas, from which hydrogen can be extracted, is changing Chu's mind, but that natural gas comes from the controversial hydraulic fracturing process.
While nearly all eyes are focused on Mars, two astophysicists at NASA's Goddard Space Flight Center have been quietly staring at the sun instead.
A new ordinance in Alameda County requires the pharmaceutical industry to pay for disposal of extra medicine. The regulation is part of a larger movement to shift responsibility for waste disposal from local governments to companies that make products like paint, medicine and batteries.
Virtual avatars are one thing. But what about real bodies? Would identifying with another person's body make you behave more like that person? If the body belongs to a different gender, age, or ethnicity than yours, would you become more empathic to others in that group?
ISEF student projects can be just as esoteric as Nobel laureates' research. But this year, those of ISEF's student scientists lucky enough to be paired with professional artists will see their research translated into compelling and accessible posters for the public.
The source of the stench in crushed “stinkspar” is a 200-year old mystery. Solving this puzzle took a mixture of old-fashioned chemical analysis and modern instruments.
The San Francisco Museum of Modern Art is showing, for just a few more short days, an exhibit called "The Utopian Impulse: Buckminster Fuller and the Bay Area." Fuller never actually lived in the Bay Area, but the exhibit's designers seem to think he would have liked it.
Traditional occidental painting techniques like watercolor or oil build an image from many layered brush strokes. You don't usually notice the individual strokes unless you stand very close. But in traditional oriental ink painting, called sumi-e, the brush strokes are the painting.
SOFIA is more than a telescope tucked into a re-purposed commercial airliner. It's a complete flying astronomical observation platform which carries a dozen or more astronomers, observers and crew far above the clouds to observe objects and phenomena too cold to be seen in visible light.
Ariel personified St. Elmo's Fire, the glow that can appear around ship masts and chimneys during a thunderstorm. Lacking a scientific explanation for the light, people in Shakespeare's time attributed it to the patron saint of sailors. Four hundred years later, we still don't completely understand how storms create such magnificent atmospheric phenomena.
Conserving delicate artwork requires knowing what paints and techniques were used to create a piece. A new imaging technique helps restorers look at the pigments in frescos even while visitors are enjoying the works in a gallery.
I've always hated olives. I'd pick them off pizzas and out of salads. But in the last few weeks, I've actually started eating them on purpose. It could be because I'm pregnant, a condition which has me craving salt—and few foods are saltier than a nice olive.
A hammerhead shark's baleful stare. A longnose batfish's fierce armor and delicate fins. These masterpieces of expression and scientific detail fill the pages of the world's first ichthyology book, De Historia Piscium, published in 1686 by the Royal Society.
Helen Golden is a digital fine artist; her daughter Nadine Golden is a scientist with the U.S. Geological Survey's Pacific Coast and Marine Science Center. Although both live in Santa Cruz, mother and daughter seem worlds apart. But in fact, they are fascinated by each other's work . . .
More than 40 years ago, Sen. John Dunlap (D-Napa) made conservation history when his mountain lion hunting moratorium passed the California Legislature and became law in 1971. He recalls the fight to pass the bill and his guiding principle, "when in doubt, preserve."