The Science of Sustainability

Nobel Winner Used Stars to Map History of the Universe

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Sitting in a small, non-descript room in the basement of the Lawrence Berkeley National Lab in Berkeley, physics graduate student Hannah Swift and physicist Saul Perlmutter are searching for supernovae, stars destroyed in huge explosions millions or billions of years ago. (They're looking for ones that exploded billions of years ago). Through a computer hooked up to Hawaii's Keck 2 telescope -– one of the largest in the world –- they are able to follow along as UC Berkeley post-doc Rahman Amanullah, a team member who had traveled to Hawaii a few days earlier, supervises the night's observation.

Their goal is to use a device called a spectrograph to get a spectra of five to eight supernovae. This spectrum is a "photograph" of the light emitted by the supernova and it allows scientists to determine whether they are the type Ia supernovae that are useful for their research. By figuring out how far away these type Ia supernovae are (or "were," since by the time their light reaches us, they have long since vanished) and observing how much the light traveling towards the Earth has shifted towards red wavelengths, they can determine how long ago the star exploded. With this information, they're building a history of the expansion of the universe. The weather in Hawaii is good, and the researchers are forecasting a good "seeing."

It's encouraging and moving to see how young these researchers are. Swift is a twenty-something from Kansas. She's so young that she has always understood the universe to be accelerating, that is, expanding faster and faster. She has never thought that the universe is decelerating, which is what the scientific community believed before 1998, when Perlmutter's team at Lawrence Berkeley National Lab and another team simultaneously reported their findings that the universe is accelerating. When this announcement was made, Swift was in the 8th grade. Perlmutter himself is only in his 40s. When he started his post-doc, he and his colleagues had to beg for time on the big telescopes. That wasn't that long ago: our understanding of the universe has shifted very fast.

A few days later, Swift invites us back to the lab to show us some of the data the researchers gathered during the observation. They obtained spectra for five supernovae – a good night's work. Swift is now in the process of figuring out which of the supernovae are type Ia's. To do this, she's comparing their spectrograms to the spectra of a standard type Ia. Light is a very useful tool because different elements emit light of different wavelengths. Swift shows me the spectrogram for a standard type Ia. It has telltale peaks and valleys that reveal what exploding type Ia supernovae eject when they explode – silicon and cobalt, among other elements.

I wonder what big changes in the way we understand our universe will be commonplace when my one-year-old niece is in her 20s. What new discoveries will we use as points of reference in the coming decades? (Assuming we're hip enough to use astronomical discoveries as points of reference!) Will scientists know by then the nature of dark energy, the now-mysterious "something" that is making the universe accelerate, pushing its fabric apart? Will I be able to preface a comment to my niece with, "When you were little, before we knew what dark energy is…"? And will she be able to reply, "Aunt Gabi, you're so ooold!" I suspect she'll do the latter no matter what.

Watch the "Dark Energy" TV Story online, as well as find additional links and resources. Also don't miss our online photo set.

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Category: Astronomy, Physics, Television

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Gabriela Quirós

About the Author ()

Gabriela Quirós is a TV Producer for KQED Science & Environment. She started her journalism career in 1993 as a newspaper reporter in Costa Rica, where she grew up. She won two national reporting awards there for series on C-sections and organic agriculture, and developed a life-long interest in health reporting. She moved to the Bay Area in 1996 to study documentary filmmaking at the University of California-Berkeley, where she received master’s degrees in journalism and Latin American studies. She joined KQED as a TV producer when QUEST started in 2006 and has covered everything from Alzheimer’s to bee die-offs to dark energy. She has shared two regional Emmys, and four of her stories have been nominated for the award as well. Independent from her work on QUEST, she produced and directed the hour-long documentary Beautiful Sin for PBS, about the surprising story of how Costa Rica became the only country in the world to outlaw in-vitro fertilization.